Tattoo ideas, drawn twelve ways each
Pick a subject and see twelve original designs for it, each with the prompt that made it. Change a word and the next one is yours.

Anchor
The anchor is one of the oldest sailor tattoos, and it still works for the same reason it did in 1900: a heavy shape that stays readable.

Angel wings
Most angel wings tattoos are memorials, and the two things that decide whether one looks good in ten years are size and symmetry.

Arrow
An arrow is three parts and a straight line, which makes it one of the easiest tattoos to design and one of the easiest to make forgettable.

Bear
A bear reads as power without motion, which is why the calm standing pose usually works better on skin than the roaring one.

Butterfly
Butterflies are tattooed more than almost any other subject, which is the exact reason the drawing has to be specific instead of generic.

Cat
Most cat tattoos are portraits of one specific cat, which makes them harder than they look, because a cat is recognized by very small markings.

Cherry blossom
Sakura falls at its best rather than wilting, and that timing is the whole reason the flower carries the meaning it does in Japan.

Clock
Nearly every clock tattoo has its hands set to a specific minute, usually the time a child was born, and that decision outranks every other one.

Compass
A compass rose has a fixed logic: four long points, four shorter ones between them, and eight shorter still, and breaking that pattern is visible forever.

Cross
A cross is the simplest shape on this list and the least forgiving, because every viewer can see instantly whether the two bars are square.

Dagger
A dagger is a long narrow triangle with a crossguard, which makes it one of the few objects that fits a forearm or a spine without any adjustment.

Dog
Almost every dog tattoo is a portrait of one dog, and whether it looks like that dog is decided by the reference photo more than by the artist.

Dragon
A dragon is a long subject on a long limb, so the first decision is not the style but which of two unrelated traditions you actually want.

Elephant
An elephant gives an artist two things almost nothing else does: an enormous flat ear to decorate and skin texture that reads as texture even at a distance.

Eye
A realistic eye is one of the hardest small tattoos there is, because the thing that makes an eye look alive is a highlight that has to be bare skin.

Feather
A feather is a shaft with hundreds of barbs off it, and the gaps between those barbs are the whole reason it looks like a feather rather than a leaf.

Heart
There are three hearts in tattooing: the symbol, the organ and the sacred heart, and they belong to different histories that people often mix by accident.

Horse
Everyone who rides can tell a badly drawn horse in a second, which makes anatomy the thing to get right before you think about style.

Hourglass
An hourglass is a symmetrical object with a narrow waist, which makes it one of the few designs that genuinely suits the spine and the sternum.

Hummingbird
Everything people love about a hummingbird is motion, and a tattoo cannot move, so the whole design comes down to how you handle the wings.

Koi fish
The koi story is about a carp that swims up a waterfall and turns into a dragon, which is why the fish is almost always drawn mid struggle.

Lion
A lion head is about eighty percent mane, so the question at the consultation is how your artist plans to keep that mane from turning into a grey halo.

Lotus
The lotus roots in mud, grows up through dark water and opens clean above it, and that sequence is the reason almost everyone picks it.

Moon
The most common error in moon tattoos is simple and permanent: the phases run in the wrong order, or the lit side faces the wrong way.

Mountain
A mountain tattoo is better when the ridgeline belongs to a real peak, because a generic triangle says nothing and a real skyline says exactly where you were.

Owl
An owl is two eyes and a great deal of feather texture, so the design lives or dies on whether the piece is big enough to carry both.

Peony
In Japanese tattooing the peony is the king of flowers, and the whole design rests on whether the ruffled petal layers stay separate as the ink settles.

Phoenix
The rising from ashes story belongs to one bird out of three that share the name, and picking the right one changes the entire drawing.

Rose
A traditional rose is one of the very few tattoos that still looks correct at thirty years old, which is why artists keep drawing the same one.

Scorpion
A scorpion is one of the few animals that reads instantly as a silhouette, which makes it one of the best subjects for solid black work.

Semicolon
A semicolon is a punctuation mark an author uses when a sentence could have ended and they kept writing, and that is the whole of the meaning.

Skull
A skull is a thing you can look up, which means every viewer knows what it should look like even if they could not draw one themselves.

Snake
Snakes fit bodies better than almost any other subject, because a snake is a long flexible line and a limb is a long flexible surface.

Spider web
A spider web is old traditional flash and it also carries prison meanings, including a racist one in some regions, so read this before you book it.

Star
A star is the smallest shape that still reads clearly on skin, which is why it turns up on wrists, fingers and elbows more than almost anything else.

Sun
A sun is a circle with things coming out of it at regular intervals, which makes spacing the single thing that decides whether it looks right.

Sunflower
Sunflowers do not follow the sun all their lives. Young buds track it, and once the flower opens the head settles facing east and stays there.

Tree of life
Several unrelated traditions ended up sharing the name tree of life, and the version most people picture is the newest of them by centuries.

Wave
Almost every wave tattoo in a Western shop descends from one print made around 1831, and knowing that helps you ask for what you actually want.

Wolf
Most wolf tattoos are about loyalty or independence, and one of those two ideas rests on a piece of science that was withdrawn decades ago.